Footnotes

1. 37:2 The Joseph story is great literature not only in its themes but in its art. The stories show an interest in the psychology of the characters; everyone acts “in character” yet there is never a doubt that a divine purpose is bringing events to their conclusion. According to a literary analysis, vv. 1–4 set the scene; vv. 5–36 introduce the dramatic tension in the form of a conflict within the family; chaps. 38–41 describe the journeys away from their family of the eponymous ancestors of the two great tribes of later times, Judah (chap. 38) and Joseph (chaps. 39–41) and their preliminary conclusions; chaps. 42–44 detail the famine and journeys for food (chaps. 42, 43) that bring the brothers and (indirectly) the father into fresh contact with a mature Joseph who now has the power of life and death over them; 45:1–47:27 is the resolution (reconciliation of Joseph to his brothers) and the salvation of the family.
2. 37:3 Jacob’s favoring Joseph over his other sons is a cause of the brothers’ attempt on his life. Throughout the story, Jacob is unaware of the impact of his favoritism on his other sons (cf. vv. 33–35; 42:36). Long ornamented tunic: the meaning of the Hebrew phrase is unclear. In 2 Sm 13:18–19, it is the distinctive dress of unmarried royal daughters. The “coat of many colors” in the Septuagint became the traditional translation. Ancient depictions of Semites in formal dress show them with long, ornamented robes and that is the most likely meaning here. Possibly, the young Joseph is given a coat that symbolizes honor beyond his years. Later, Pharaoh will clothe Joseph in a robe that symbolizes honor (41:42).